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Quicksilver Baroque: Off the Beaten Path

  • Samuel M. Ciccati Theatre, Cuyamaca College 900 Rancho San Diego Pkwy El Cajon, CA, 92019 (map)

Presented in partnership with San Diego Early Music Society

Program

17th Century Music from Europe and Beyond


Castello 
       Sonata undecima
Turini
       Sonata a 3
Van Wichel
       Sonata quinta
       Sonata sesta 
Fontana
      Sonata due 
John Blow
      Mortlake Ground 
Bertali
      Sonata in A minor    
Ronsenmueller
      Sonata a 3  
Rossi
      Sonata a 2      
Mielczewski
      Canzon prima   
Falconieri
      L’Eroica 
      Follias echa para mi Señora Doña Tarolilla di Carallenos
Santiago de Murcia
      Follias Gallegas  
      Marizapalos 

Praised for "impeccable, soulful playing" (New York Times), Quicksilver brings together leading historically-informed performers in North America today, vibrantly exploring the rich chamber music repertoire from the early modern period to the High Baroque. The ensemble has been featured at numerous music series and prestigious festivals, and will make its debut at Carnegie Hall next season. Quicksilver's debut recording, Stile Moderno: new music from the seventeenth century was described as “Breakthrough of the Year…breathtaking” (Huffington Post). Quicksilver’s new recording, Fantasticus: Extravagant and Virtuosic Music from 17th Century Germany has been named one of The New Yorker’s Top Ten Recordings of 2014 and praised as "irresistible" (Fanfare Magazine).

http://www.quicksilverbaroque.com


One of America’s most prominent historical string players, Robert Mealy has been praised for his “imagination, taste, subtlety, and daring” (Boston Globe). A frequent soloist and orchestral leader, Mr. Mealy is principal concertmaster at Trinity Wall Street and the Orchestra Director of the Boston Early Music Festival Orchestra; he recently received a Grammy for his work with BEMF. He has also led the Mark Morris Dance Group Music Ensemble in performances here and in Moscow, accompanied Renee Fleming on the David Letterman Show, and recorded and toured with many distinguished ensembles both here and in Europe. Committed to education as well as performing, he directs Juilliard’s distinguished Historical Performance Program. From 2003 to 2015, he taught at Yale, directing the postgraduate Yale Baroque Ensemble and the Yale Collegium Musicum. Prior to that, he taught at Harvard for over a decade, where he founded the Harvard Baroque Chamber Orchestra. In 2004, he received EMA’s Binkley Award for outstanding teaching and scholarship. He has recorded over 80 CDs on most major labels.

Lauded for her “invigorating verve and imagination” (Washington Post), Julie Andrijeski is among the leading baroque violinists and early music pedagogues in the U.S. In addition to co-directing Quicksilver, she maintains an active performance schedule, playing with many diverse early music groups across the nation including the Atlanta Baroque Orchestra (Artistic Director), New York State Baroque (Concertmaster), Apollo’s Fire (Principal Player), and Les Délices. As a full-time Senior Instructor at Case Western Reserve University and Teacher of Baroque Violin at the Cleveland Institute of Music, Ms. Andrijeski leads classes in historical performance practices, teaches lessons in baroque violin, and directs the baroque music and dance ensembles. Her combined skills in music and dance often culminate in workshops and special teaching engagements at schools such as the Oberlin Conservatory, Indiana University, Juilliard, the University of Colorado – Boulder, and at several summer workshops as well. Her recordings can be found on Acis Productions, Dorian Recordings, Centaur, Koch, CPO, Avie, and Musica Omnia.

A native of California, Dominic Teresi is principal bassoon of Tafelmusik Orchestra, Boston Early Music Festival Orchestra and Carmel Bach Festival, teaches at The Juilliard School and University of Toronto, is a member of Quicksilver and Juilliard Baroque and plays with American Bach Soloists and Toronto Consort. He has also enjoyed performing with Le Concert d’Astrée, Orchestre Révolutionnaire et Romantique, Philharmonia Baroque, Arion, Ensemble Caprice, Chatham Baroque and Apollo’s Fire. In demand on dulcian, baroque, classical and modern bassoon, his playing has been described as “stellar” (New York Times) and “dazzling” (Toronto Star). Mr. Teresi was invited to be a featured artist on CBC Radio, where he performed a nationally broadcast radio concert of bassoon concertos and sonatas, and has appeared as a concerto soloist throughout Europe, North America and Australia. He holds a masters degree and artist diploma from Yale University and a doctorate from Indiana University.

Avi Stein (harpsichord) is Associate Organist and Chorusmaster at Trinity Wall Street, teaches at The Juilliard School and Yale University, and serves as artistic director of the Helicon Foundation. The New York Times described him as “a brilliant organ soloist” in his Carnegie Hall debut and he was featured in an Early Music America magazine article on the new generation of leaders in the field. He is an active continuo player appearing regularly with the Boston Early Music Festival, Quicksilver, the Clarion Music Society and Bach Vespers NYC. Mr. Stein directed the young artists’ program at the Carmel Bach Festival and has conducted a variety of ensembles including Opera Français de New York, OperaOmnia, Amherst Festival opera and the critically acclaimed 4×4 Festival. He studied at Indiana University, Eastman School of Music, University of Southern California and was a Fulbright scholar in Toulouse.

Charles Weaver (lute) performs on early plucked-string instruments both as a recitalist and as an accompanist. Chamber music appearances include Quicksilver, Early Music New York, Piffaro, Chamber Music Society of Lincoln Center, the Folger Consort, Blue Heron, Musica Pacifica, and the Boston Early Music Festival Chamber Ensemble. He is on the faculty of the Juilliard School, where he teaches historically informed performance on Plucked Instruments. This season he will be assistant conductor for Juilliard Opera’s production of Cavalli’s La Calisto. He also works with the New York Continuo Collective: an ensemble of players and singers exploring seventeenth-century vocal music in semester-length workshop productions. He has taught at the Lute Society of America Summer Workshop in Vancouver, the Madison Early Music Festival, the Western Wind Workshop in ensemble singing, and the Yale Baroque Opera Project.